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Nach Austin (Zur Theorie der Sprechakte; 1972) sind performative Äußerungen illokutionäre Akte, d.h. Sprechakte, mit denen zugleich eine bestimmte Handlung vollzogen wird (von to perform = etwas ausführen, vollziehen). Zusammenfassung. Judith Butlers Werk, und darin vor allem ihr Buch Gender Trouble, ist ein inzwischen klassisches Beispiel einer performativ orientierten Kulturtheorie.Die breite Rezeption ihrer Position hat maßgeblich zur akademischen Etablierung des Diskurses des Performativen und seiner Popularität beigetragen.

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Ein melancholisches Geschlecht? : zu Judith Butlers  Swedish only. LATE SUMMER. Maria Hassabi STAGED? (2016) – undressed, outdoor performance.

Recension. Författare. Lena Martinsson | Institutionen för kulturvetenskaper.

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For example, John Searle's 'speech acts,' those verbal as- Judith Butler’s Concept of Performativity By Nasrullah Mambrol on October 10, 2016 • ( 7). Claiming that “Identity is performatively constituted”, Judith Butler in her path breaking Gender Trouble (1990) formulated a postmodernist notion of gender, in line with the deconstructive ethos and contradictory to the traditional notion’ , that genders are fixed categories.

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Butler performative

In this thesisI argue that Butler’s notion of gender performativity implies that Butler, Judith. “Performative Acts and Gender Constitution.” In The Twentieth-Century Performance Reader. 2nded. Edited by Michael Huxley and Noel Witts. London: Routledge, 1996. “Performative Acts and Gender Constitution” is a paper in four parts: The introduction (untitled) Sex/Gender: feminist and phenomenological views However, Butler is still correct in her main argument that gender is a reflection of societal norm and it is largely based on performative acts and expectations. When Butler published the essay in 1996, there was no nontraditional marriage movement or the widespread concept of changing one’s biological sex and crafting a gender.

Excitable Speech: A Politics of the Performative: Butler, Judith: Excitable Speech is widely hailed as a tour de force and one of Judith Butler's most  av T Walk — utifrån ett queerfeministiskt perspektiv på performance, performativitet och 4 Butler, Judith, ”Performative Acts and Gender Constitution: an Essay in  Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions. Understanding assemblies as plural forms of  The theoretical framework is based on Judith Butler's “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory” (1988),  Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity-the destruction of the  Examining in turn debates about hate speech, pornography and gayness within the US military, Butler argues that words can wound and linguistic violence is its  25. Omslag. Butler, Judith, 1956- (författare); [Notes toward a performative theory of assembly  Bidragets titel på inmatningsspråk, Judith Butler - the Theoretician of Gender as Performative. Originalspråk, finska.
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In her books,  While Deleuze's transformative understanding of performativity remains fashionable in film theory and among visual artists, Butler's theorisation of the performative  The Relation of Gender Theory and Semiological theory. Judith Butler's concept of ambivalence is closely related to Derrida's concept of differance.

A central concept of the theory is that your gender is constructed through your own repetitive performance of gender. This is related to the idea that discourse creates subject positions for your self to occupy—linguistic structures construct the self. Judith Butler: performativity and dramaturgy.
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Butler's essential point in "“Performative Acts and Gender Constitution" is that acts assigned with gender significance (like wearing make-up, for example) should not be treated as "natural" and that a careful critical scrutiny of them can go a long political way for gender equality and liberation.